One of Laura Andel's strengths is her ability
to gather large ensembles to play her original compositions. She explores
diverse instrumentations and formats for her orchestras. The last orchestra
she produced was the 14-piece
For the past years she has performed in such cities as New York, Boston, Buenos Aires, Caracas, and Berlin, thanks in part to the economic support from the Massachusetts Cultural Council, and the City of Berlin, among other grants received. After living in her native Buenos Aires, and later Boston for a number of years, Ms. Andel has moved to New York City, where she has recruited a new group of musicians to perform her music.
As said by the Boston Phoenix, "her
line-up boasts a diverse crew of some of the best improvisers in town [...]
whom you rarely see playing together." James Isaacs from Boston's CitySearch
thinks that Andel is "one of New England's most provocative writers for
large improvising ensembles [...]", and mentions that "[Andel] was for
a time based in Berlin and was a figure of some consequence on that cosmopolitan
city's avant-garde scene." DJ Jazz Kid from JazzFiles (Germany)
describes that "the group's unusual medley of players generates a creative
aura." Josef Engels from Die Welt (Berlin Newspaper) says about
her music that "Andel concentrates with an ironical approach on the power
of sounds. For example, in her piece "The Squirrel", she develops a ludicrous
but strictly organized duck-singing out of grunt sounds in the reed section.
Original and amusing, Berlin deserves more orchestras like this."
MacDowell
Colony, New Hampshire, June 17, 2002 ©Photo by Laura Andel
This extended 50-minute work for 14 musicians
and conductor, was composed by Laura Andel, premiered by the laura andel
orchestra, and recorded live by Elliott Sharp in October 2002 in New York
city.
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