Laura Andel was born in Buenos Aires,
Argentina, where she grew up. After living, studying, and performing in
Argentina, she moved to Boston in 1993 to pursue studies in
composition. Since then, she has focused mainly on composition for
large ensembles and sometimes using conduction as part of the
compositional process. In 2000, Ms. Andel moved to New York City where
she created the Laura Andel Orchestra, a large ensemble that features
an unusual combination of instruments and unites musicians from diverse
musical and cultural backgrounds that perform Andel's extended
compositions.
Currently, she created a 9-piece orchestra which premiered her work Doble Mano,
and includes bandoneon, gamelan instruments, electric guitar, Fender
Rhodes, vibraphone, cornet, viola, clarinets, piano and double bass.
Also, Laura Andel is including the ensemble Gamelan Son of Lion in her most
recent works.
Previous orchestra explorations
include the 14-piece
As said by the Boston Phoenix,
"her
line-up boasts a diverse crew of some of the best improvisers in town
[...]
whom you rarely see playing together." James Isaacs from Boston's
CitySearch
thinks that Andel is "one of New England's most provocative writers for
large improvising ensembles [...]", and mentions that "[Andel] was for
a time based in Berlin and was a figure of some consequence on that
cosmopolitan
city's avant-garde scene." DJ Jazz Kid from JazzFiles (Germany)
describes that "the group's unusual medley of players generates a
creative
aura." Josef Engels from Die Welt (Berlin Newspaper) says about
her music that "Andel concentrates with an ironical approach on the
power
of sounds. For example, in her piece "The Squirrel", she develops a
ludicrous
but strictly organized duck-singing out of grunt sounds in the reed
section.
Original and amusing, Berlin deserves more orchestras like this."
MacDowell
Colony, New Hampshire, June 17, 2002 ©Photo by Laura Andel
This extended 50-minute work for 14
musicians
and conductor, was composed by Laura Andel, premiered by the laura
andel
orchestra, and recorded live by Elliott Sharp in October 2002 in New
York
city.
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