• Night Music for Piano Solo
    Posted on September 4, 2021 by Laura Andel

    Night Music for Piano Solo

    I met pianist Robert Fleitz through our work as teaching artists for the New York Philharmonic. Once the pandemic hit, Robert and I were placed in a team to work as collaborators for a large-scale and intense online project teaching the basics of music and composition to children. Magic started on day 1.

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  • New music for piano, faucets, water, and metals
    Posted on September 7, 2018 by Laura Andel

    New music for piano, faucets, water, and metals

    Back in April, I was invited by curator Ezequiel Fanego to be part of the Literature and Sound Series at Casa Victoria Ocampo in Argentina. Ezequiel Fanego envisioned a series of sound presentations inspired by a work of an Argentinean writer of our choice. My muse was writer Silvina Ocampo with her short story “Los grifos”, an impressive dreamlike description of the sound of dripping faucets.

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  • A week at the Decolonial Aesthesis Creative Lab
    Posted on July 28, 2018 by Laura Andel

    A week at the Decolonial Aesthesis Creative Lab

    A week at the 2018 Decolonial Aesthesis Creative Lab in South Africa organized by the amazing Dr. Sharlene F. Khan has proven to be an immersive learning experience. Meeting every day from 9 in the morning until sometimes 10 at night, we had a chance to discuss the importance of a decolonizing aesthetic in the art praxis.

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  • New Generation of Women Composers
    Posted on April 11, 2017 by Laura Andel

    New Generation of Women Composers

    What is the Sound of the World Today? This question was asked to composers Jordan Millar (10), Mondriana Villegas (13), and Mia Micic (14) before getting to compose their commissioned works for the Young People’s Concert to premiere at the New York Philharmonic on March 11, 2017. The last of the “Ages of Music” concert series featured the “Modern Age of Music”, which featured American composer John Adams as well as these very new young generation of women composers.

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